Screenwriter Randall Wallace Reveals Mel Gibson's Spiritual Warning Before Writing Passion Sequel

Mel Gibson told co-writer Randall Wallace that Satan would personally target them during production of the 'Passion of the Christ' sequel.

Before a single word of 'The Resurrection of the Christ' was written, Mel Gibson told his collaborator Randall Wallace to expect a spiritual attack. Wallace, who is also known for writing 'Braveheart,' publicly revealed the warning as production on the long-awaited sequel moves forward. According to Wallace, Gibson told him directly: 'Satan's going to come after you' — a warning Gibson apparently rooted in his own experience making the original 2004 film, 'The Passion of the Christ,' which Gibson has previously said was marked by a series of unusual personal hardships and on-set incidents. Wallace is serving as the writer on 'The Resurrection of the Christ,' continuing a creative partnership with Gibson that stretches back decades. Gibson, a two-time Oscar winner, has been developing the sequel for years, with the project drawing significant attention from religious audiences worldwide. The original 'Passion of the Christ' was a cultural phenomenon, grossing over $600 million globally on a reported $30 million budget and becoming one of the highest-grossing R-rated films in history.

Why it matters

The sequel to one of the highest-grossing religious films ever made carries enormous expectations from faith-based audiences globally. Behind-the-scenes accounts like Wallace's are shaping public narrative around the project ahead of its release.

What's next

No release date for 'The Resurrection of the Christ' has been confirmed in these reports.

Key facts

Bias & framing notes

Both sources cover the same anecdote from Wallace and agree on the core quote. Fox News leads with Gibson's name and the Satan warning as a straightforward headline fact, while Page Six frames it as a 'dark spiritual warning' — slightly more dramatic framing. Neither source provides independent corroboration beyond Wallace's own account, and no studio, production timeline, or third-party sourcing is present.

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